Jake wrote:
Personally? Whichever one had better reviews from people I trusted.
Or both, depending on what they were asking for them.
Lol, there are people out there who buy without reading reviews. Some people out there buy because of certain names, some buy because of lovely arts, some buy because of attractive genre. If we get 100 people on street, how many would prefer a stolen diamond ring case over a murder? (Of course I don't have real statistic to prove whatsoever, but really why else there are more murder case out there than any other case?)
Jake wrote:
Not entirely true - I mean, for example:
If Walter or Katherine had been the culprit, for example, Mia would have had to face up to the spiteful jealousy or thoughtless self-interest of someone she thought was a real friend - she'd never be able to consider that relationship the same way again. If Matt or Magdelen had stolen it, they'd at the very least have lost their jobs, probably also spent some time in prison... Magdelen's ambition would have been curtailed, or nobody would have been taking care of Matt's mother. Even in the case of this game, where the culprit wasn't directly related to any of the other characters, a strain was placed on Mia and Richard's engagement because of the differing ways that they reacted to the theft.
You know all of that can still be saved/recovered. Broken relationship doesn't mean it will last forever. It maybe like that in some stories, but you know we readers can imagine what happen after the story end. BUT if you kill a character, unless you have some ridiculous plot device to revive the character, there is no way to save them.
Jake wrote:
Sex and violence sell, but so do really well-written stories; sex and violence are easier to peddle, but they're also generally shallower.
Lol, we aren't talking about writing skill, are we? We are debating about the genre, right? So by that standard, if you get the same writer to write 2 cases, one is a murder and the other is not, WHICH do you think will SELL?
sake-bento wrote:
Hmm...murder is okay. But if it happens all the time, doesn't it get boring?
I love mysteries. I've read/watched loads of mysteries from both sides of the Pacific. One thing I've noticed about many is that people die. A lot. In Detective Conan, people drop dead left and right; you'd think the kid was cursed or something. It's sorta come to the stage where when a new set of characters shows up, half the fun is guessing which one is going to be dead in two minutes. But at the same time, it's a little boring to always see dead people popping up everywhere. Plus. some of the reasons for murder are so flimsy. I might be angry at someone for doing terrible things to me (stealing a boyfriend, stealing money, etc.) but there aren't many things that would make me reasonably think that murder is a good solution. I might do terrible, vengeful things, but definitely not murder.
Considering that I have all 60+ volumes of Conan, watched 140+ episode of Kindaichi, I can safely tell you--- yes, it does get get boring. I actually appreciate some of the case unrelated to murder in Conan. But, let's not talk about an awfully long series like those examples. I am asking if you start a series, you have no name nor fans, you would like to sell commercially, do you think a mystery without any form of murder will appeal to people?