Samu-kun wrote:
I thought the article was a pretty elementary feminist critique of moe.
I thought it was a fairly accurate depiction of how all of us guys who aren't interested in tedious moe crap feel about the way it's pervading media and damaging creativity. There's only really one part of it which could be considered 'feminist' by the usual understanding of the word, and it's hardly the important point in the piece, its a discredit to the other 80% of the article to label it all as such, especially since 'feminism' is a politic which is broadly (and in at least some cases, fairly) mistrusted and disliked by men.
How is it 'feminist' to note that [unfortunately] there are enough people who buy moe stuff for it to become a fairly safe bet for lazy companies who just want to make money? What is 'feminist' about the observation that the stereotypes and tropes in moe 'stories' are generally lightweight and carbon-copy, and moe stories tend to show a lack of imagination or creativity? It's true that when a company deliberately tries to take a successful and popular trend and imitate it the result is usually tripe; you can't deny that several companies - and individuals - are deliberately aiming for moe, the difference is that this time around, the audience is dull enough - uninterested enough in stimulating entertainment - to lap it up anyway... but none of those points hinge on any gender-related principle at all, they're all just observations.
The point of the article that I read
wasn't that moe is inherently sexist - that was merely a suggestion as to the reason it's so popular in Japan. The point of the article that I read was that moe is inherently
dull, and it's damaging to creativity for it to be so popular,
whyever that may be.
Of course, you're a well-known fan of proper hardcore moe, so I suppose it's only natural to expect you to dislike a criticism of moe fans.
