Sapphi wrote:
I don't know if it's just me, but I really hate doing studies of the human form clothed. I'm probably spoiled, because I had two semesters of Figure Drawing where we did nothing but sit and draw a bikini-clad model for 2.5 hours a class, but every time the model was absent and a clothed classmate filled in, I hated it.
Ahh, your school made the models where swimsuits? At my art school all the figure drawing models were nude - young women, old women, young men, or old men. I concur that drawing a clothed person is a poor learning tool - without the understanding of the anatomy underneath an amateur can make a lot of mistakes with clothing. Even swimsuits distort the figure - like in Fawn's image that shows how NOT to draw breasts, a lot of beginners draw breasts the wrong way because they've only seen them compressed and pushed up by clothing.
We had separate classes for focusing on portraiture (drawing faces), so I focused on drawing the bodies in figure drawing - so a lot of my Life Drawing pieces are a little creepy with high detailed body, head, and hair, and blank faces.
Skye, listen to everything Auro-Cyanide said - she's absolutely correct. And I have to second the recommendation for the book
Anatomy for the Artist.

I have it and reference it often, my favorite professor carried it everywhere with himself, etc. It has overlays, diagrams, and all the male and female anatomy you could possible want laid out in a very detailed way. It uses very clear hand-drawn muscles and bones over top of real photos that make learning anatomy very easy. I can't recommend it enough.
And if I could take TWO drawing books with me to a deserted island, the second would have to be Jack Hamm's
The Head and Figure. It was one of the first drawing books I owned, and though I have owned and read dozens since, it still remains one of the best.

Proportions, profiles, how to draw hands, feet, how clothing wrinkles, hair, noses, lips, subtle differences in drawing men and women, how to pose and balance figures, how to draw feet in shoes, etc. It really covers it all in a concise and clear manner that still feels like it exhaustively examines each topic. I've been drawing for a long time at this point, and I consistently reach for this book at least every other piece I do. It's 50 years old, but its never gone out of print - I think that says it all.