I think you have the right idea. I'll add something that I learned in film class. The thing that moves a story (or scene, or character) forward is change. It could be a change in the plot, but it can also be a change in the characters and/or how they interact. They've learned something about each other, or learned something about themselves. I mean, I think it's find to have some slice-of-life interactions for fun, and getting to know a character and what they're like. But when you want an interaction to have purpose, make sure there's something different at the end compared to the beginning.Westeford wrote: ↑Tue Jan 16, 2018 10:59 pm My problem comes when I'm giving them depth and development. I know how I want them to grow, but the timing (especially in the beginning chapters) feels off. Since this is a visual novel with free time events like Persona or Dangan Ronpa, I would need to introduce a few of the LI's early so that there's a choice in who the player will talk to during the intermission periods between chapters.
Earlier on you'll be establishing a sort of baseline for the characters. I think it's fine to develop some ahead of others, because you want the reader to get to know all of them at least a little bit, and it can be overwhelming if it's all at once. (IMO Persona is a lot better than Danganronpa in this regard, although Danganronpa's was well suited to its plot. I think Persona is more suited to your style of plot.)
For hidden depths, you need to show the surface first. Remember that it's not just the MC not knowing the character, but they don't know the MC, either. (Unless there's a childhood friend in there?) So, in the beginning, the characters don't have the same level of trust built up with the MC, just as the MC doesn't have the level of trust built up in them yet. So change can come from how much they open up over time. I expect they will act differently with someone they're close with compared to someone who's an acquaintance. Later on, change can also come from things they changed their mind about. It can come from things about themselves *they* didn't even know until the plot happened. The character is "a different person" from the one they started out as. I mean, it happens in real life, too.
So, my approach would be to use these turning points to set the pacing. With free time events, it's a little more challenging; are you able to "max out" someone early? Or are the major developments going to happen during the common plot? Think about how you want to approach that.
Also, if you're having trouble seeing beyond a character's base personality and talents, start asking questions about your character. Why do they have *this* talent? Where did they learn it? What does it mean to them? How does their personality mesh with their talent? What environment did they grow up in? What other things do they like to do? What life experiences have they had? What sorts of situations would they be comfortable in? What sort of situations would catch them off guard?
For example, K is shown to have amazing marksmanship early on. She's probably spent a lot of time to achieve and refine her skill. How did she train? And how does she feel about it? Confidence? Pride? Humility?
Okay, now what kind of situation would completely throw her off her game? What would it take? And how does she eventually overcome it? (Or, does she overcome it???)
Whatever the answer is... consider writing it into the story.