Mutive wrote: ↑Mon Jan 14, 2019 6:40 pm
I disagree. But I think a lot of writers try to build anticipation by *hiding* things from the reader, which rarely works. (There are some notable examples where it does, but often it just feels like the writer is trying to be cagey and makes things super confusing as reader-I try to figure out what in the heck is going on.)
I agree with this point. The only time I hide information from the reader is when I
want them to be confused later on. If the protagonist is supposed to be confused about something, and I can do so gracefully, I try to see if I can't get the reader to also feel that same confusion. Usually this is around some small twist or sudden event.
Occasionally, though, I'll leave little... well, not hints, but I won't exactly
hide the information, I just won't spell it out. That way, the observant reader gets to feel like they figured it out, without anyone getting spoon-fed. Right now I'm working on a chapter where a savvy reader might notice a plot hole. Only come the end of the chapter, it's not a plothole at all, but information the protagonist - and by extension the reader - only
thought was true.
There are lots of ways to play with this. Everyone kind of has their own style when it comes to hooking people in. Personally, I try to first and foremost ensure that the scenes and dialogue are flowing as naturally as I can manage. If that's accomplished, I have a story that, at the bare minimum, isn't awkward to read. I try to get the plot points and developments to occur within that framework, but never at the expense of the flow. Occasionally this leads to scenes I worry might feel meandering, since I hadn't planned on things taking as long as they do, but most of the time, I'm told the pacing works fairly well, which I chalk up to my attempts to try and maintain realism in the progression of scenes.
Remember: The reader wants to know what happens next, but that doesn't always mean that it's better to tell them sooner. Nor do you want to tease them and keep them waiting. Promise something interesting, and let it come in its own time. 9 times out of 10 if you naturally follow all of the scenes necessary to get to the point you want, the reader will be left with just the right amount of anticipation.