@Lesleigh63 -- Thank you very much! Your background work for Lads in Distress is really nice btw!
@Zelan -- Okay, I'll try-- but I was a little worried that it might be too cluttered. I might resize the information sections so that they take up a little less space because I don't want to clutter the first post too much. But posting when I update is a good idea. OH! I didn't even... realize that people might have the thread subscribed/bookmarked. HAHA LOL. THANKS!
@LadyOfGatsby -- Say it twice omg. The only thing good about this forsaken month is spring break. XDDD NaNoReNo needs to be like... March 15th - April 16th, LOL. Thanks a lot! I can't wait to post them myself! ^^
@Dreamgazer -- Oh, great! I think the characters are all likable in their own way, so there's hope for us after all. ;^) Oooh, not a bad comparison! I think Solomon is more warm and probably has less of the quiet fiery...ness of Picard, but both of them do have that vibe where they both are the type of men who were made for leadership. If that makes any sense. XD As far as favorite characters... same. LOL. Thank you! ^^ I'm excited to reveal details soon enough. ^^ Oh, I see! I'll deliver your critique to the appropriate team member. (How fancy sounding. Haha.) Oh, and thank you for liking Catching the Fox! It took me a while to come up with a non... crappy title, as titles are REALLY not my forté, but it came to me and the team likes it so I feel relieved. XD Thanks so much /o/
As for your questions...
What inspired you to make the characters as they are?
I'm assuming you mean diversity-wise, but I'm not sure if you're asking about each characters specific race or just in general so if you want more, feel free to ask! So I have a personal policy that as a VN writer, I would like to create diverse casts exclusively, regardless of genre, barring any intentionally customizable characters.
That was the base concept for developing my office staff!
I sincerely believe that that there should never be a reason for diversity so as far as "Why is Solomon British?" or "Why is Trina Vietnamese?", the answer is, frankly, "because." It's... really not much deeper than that. The end. LOL.
I mean, sure there's the normal stuff, like I'm black and I like to see black characters that aren't stereotypes, or I like to see characters that reflect people I see in real life but I think that's true for most who feel invisible in media.
I'm just curious about your creative process. What went behind the development of the characters?
Honestly, it wasn't really different from creating any other of my characters... I write their traits and give them a voice based off of it. Once I have an idea of my character's voice, then I add mental notes for how I would guess they look. Then, I develop their voice based off of the main personality traits I want to show and develop it further by writing in that voice.
The more I write of a character, the more unique they become!
That's... my general creative process so for CtF, it wasn't much different. There were vague concepts always, but they weren't much beyond things like, "Hm... it would be nice to showcase a black love interest who's doesn't feel tacked on", or "I want each character to have a distinctive trait that I find attractive" (dimples, birthmark, freckles and moles, curly ponytails, glasses, etc.) but I never picked who got what beforehand. Haha.
Uhm... that's really it. I guess the only other thing of note is just... for me, I don't tie the character's personality to their race,
but I do tie their race to the character itself. That is to say...
a brown or black person can have any kind of personality, so don't write a new character with their race in mind. If you do that, you'll find that you get very easily locked into (ugly, boring, overused, even racist) stereotypes.
Write the person's inside first, THEN give them skin, and you'll do much better.
That's the most important part of this whole answer, so I'm bolding it. The second most important part is this:
unless the narrative is specifically a racial narrative, you never need a reason for a brown or black person to be there. Seriously. When someone asks, "why is this character 'x' race?" or, "why do they have 'x' origin?" The answer (unless it's a racial narrative) should always be, in my opinion, "because I want them to be."
I mean this, of course, for any story that does not have an extremely specific setting (like Japanese high school in Japan... though, of course, there are other South/East Asian students who are non-Japanese who's existence is largely absent in Japanese media and all derivatives but... I digress, especially since I have no intentions on making a VN with that particular
overdone setting.)
And I say 'unless it's a racial narrative' because of course, as a racial narrative, the character's race will be intrinsically tied to how they view the events that occur in the story, so it would be extremely important in that kind of situation.
As a side note, with
Catching the Fox's cast, their personalities actually confused a few people so I ended up having to label my NaNo Team Building post that the artist must be able to draw brown and black people.' Even though it was a nuisance that they were assumed to all be white, it's also a sign of success. If you can't tell a character's race by reading a description of their personality, then you've won.
Phew, sorry for the long reply and thank you for your well wishes! I hope you enjoy the game! ^^ I hope that also gives you insight if you were asking in order to have help writing brown and black characters of your own. ouo b
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Today, I'll be reorganizing the first post. It'll be different very soon, so look forward to it! (Though I will be posting it when it's up. Haha. ^^