ShippoK wrote:Even writing this post down feels really... Struggleful?(Is that a word?)
Is it now!
ShippoK wrote:I think of this pretty neat idea and go 'Hey, I should write this neat idea down! That sounds like an awesome idea to write.'
So I open up my Notepad/Microsoft word/Open office/jEdit, etc. I type maybe, 3-4 words... Then I just end up just stopping.
I know what I want to write down but my hands just feel incapable to move sometimes.
Even worse, my original idea sometimes just wonders into another idea and I end up losing focus on my main idea all together!
I'm curious why you run into such a block so soon... and when you've just come up with an idea, it's really not a bad thing if it morphs into another idea.
Maybe instead of writing your idea, it would help to write about the idea? Sometimes I've had to do that when I've been like, "Ok, I've got this great idea... the main character is going to meet this person, and the conversation will be friendly at first, but will slowly turn sinister, and then the main character begins to react to this and..." Like, where my idea is about the feeling of it and how it plays out, but putting that into specifics right away may prove difficult.
MC: "Hello, person."
Person: "Hello, MC. Great weather we're having, isn't it?"
MC: "Yes, it's very sunny today."
ME: Ok, friendly small talk has been initiated... but I need like, 20 more lines of "friendly" stuff, then it needs to "slowly" turn sinister, so it's not like the next line (or ANY line) can be "MUhahhaaha!" ... er... you know what? I think it's time to take a break from writing...
I tend to combat this by forcing myself to write my idea as notes about what needs to be written:
*MC meets person, they talk friendly stuff... maybe the weather? then maybe... how they both like cats? or, well, maybe something that will foreshadow the sinister part, like, casually talking about politics which will brush on backstabbing and intrigue.. hmmm
*maybe like, 20 lines of this, then throw in a clue about something deeper going on
*this goes on for maybe 20 lines... maybe the frequency of references to sinisterness come more frequently... maybe towards the end of the "middle" the person chuckles evilly then writes it off
*then the real plot begins, and the person starts talking directly about the evil trap they've set for the main character. no wait, maybe they hint at it first -- maybe here, maybe back in the "middle" part? -- then [...]
And so forth. There are lots and lots and LOTS of "maybes." (That keeps me from worrying about whether an idea I have is terrible or not.) It's sort of like a brain dump. That way I get the idea down, and later I can come back and think about *how* to actually write it. I'll think, "Okay, the friendly part will probably be small talk, but I need a topic that foreshadows... does the politics one make sense? How do they get from the weather to that?" And I'll start *actually* writing dialogue. Even if it's messy, I keep in mind I can always edit it later.